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Clive
Staples Lewis (November 29, 1898 – November 22, 1963),
commonly referred to as C. S. Lewis, was an Irish author and scholar,
born into a Protestant family in Belfast, though mostly resident
in England. Lewis is known for his work on medieval literature and
for his Christian apologetics and fiction, especially the children's
series entitled The Chronicles of Narnia.
Early life
Clive Staples Lewis was born in Belfast, Ireland (now Northern Ireland),
to Albert James Lewis and Flora Augusta Hamilton Lewis. He had
a brother, Warren Hamilton Lewis (Warnie), three years his elder.
He adopted the name "Jack" as a boy, simply because he
liked the sound of it. From that point on, he was known by this
nickname by close friends and family. Lewis' mother died in 1908,
and he was sent to a number of different schools in England. Around
1913 he abandoned his childhood Christian faith. In 1929, he became
a theist: "In the Trinity Term of 1929 I gave in, and admitted
that God was God, and knelt and prayed…" Encouraged
by T. S. Eliot and J. R. R. Tolkien, in 1931 he returned to Christianity.
Lewis
had a passion for "dressed animals" as a boy, falling
in love with Beatrix Potter's stories and often writing and illustrating
his own animal stories. He and his brother, Warnie, together created
the world of Boxen, which was inhabited and run by animals. Lewis
loved to read, and as his father's house was filled with books,
he felt that finding a book he hadn't read was as easy as finding
a
blade of grass. He also had a mortal fear of spiders and insects
as a child, so they often haunted his dreams.
As
a teenager, he was wonderstruck by Richard Wagner and the songs
and legends of the North. They intensified a longing he had within
him, a deep desire he would later call "joy." He also grew
to love nature—the beautiful scenes in nature reminded
him of the stories of the North, and the stories of the North
reminded
him of the beauties of nature. In his teenage years, his writing
moved away from the tales of Boxen, and he began to use different
art forms (poetry and opera) to try and capture his newfound
interest in Norse mythology and in the natural world.
In
1916 Lewis won a scholarship to University College, Oxford while
World War I was raging. Because he was Irish, Lewis was
exempted
from the draft, but against his father's wishes he enlisted
in the British Army in 1917. He was commissioned as an officer
in
the third
Battalion, Somerset Light Infantry. Lewis arrived at the front
line in the Somme Valley in France on his nineteenth birthday,
where he
met his fellow Irishman, Paddy Moore.
Lewis
and Moore agreed that if either of them was killed, the other would
take care of his family. Moore was killed in action
and Lewis
kept his promise. After the war, Lewis sought out Paddy's
mother, who lived with him until the end of her life. Many scholars
believe that she is the basis of the characters of "the Patient's mother" in
the Screwtape Letters and Mrs. Macready in the Narnia books.
Lewis
was wounded during the Battle of Arras, and suffered some depression,
due in part to missing his Irish home. On
his recovery,
he was assigned
duty in England. He was discharged in December 1918, and
returned to his studies. He received a First in Honour
Moderations (Greek
and Latin Literature) in 1920, a First in Greats (Philosophy
and Ancient History) in 1922, and a First in English in
1923. "My
Irish Life"
Lewis experienced a certain cultural shock when living in England. “No
Englishman will be able to understand my first impressions of England,” Lewis
wrote in Surprised by Joy. “The strange English accents with
which I was surrounded seemed like the voices of demons. But what
was worst was the English landscape… I have made up the quarrel
since; but at that moment I conceived a hatred for England which
took many years to heal.”
From
his youth, Lewis had immersed himself in Irish mythology and
literature and expressed an interest in the Irish language. He
later developed a particular fondness for W. B. Yeats, in part
because
of Yeats’s use of Ireland’s Celtic heritage in poetry.
In a letter to a friend Lewis wrote, "I have here discovered
an author exactly after my own heart, whom I am sure you would delight
in, W. B. Yeats. He writes plays and poems of rare spirit and beauty
about our old Irish mythology."
He
was surprised to find his English peers indifferent to Yeats
and the Celtic Twilight movement. In describing his time at Oxford
he
wrote, “I am often surprised to find how utterly ignored Yeats
is among the men I have met: perhaps his appeal is purely Irish — if
so, then thank the gods that I am Irish.”
Perhaps
to help cope with his environment, Lewis even expressed a somewhat
tongue in cheek chauvinism toward the English. Describing
an encounter with a fellow Irishman he wrote, “Like all Irish
people who meet in England we ended by criticisms of the inevitable
flippancy and dullness of the Anglo-Saxon race. After all, ami, there
is no doubt that the Irish are the only people… I would not
gladly live or die among another folk.”
Lewis
did indeed live and die among another folk, due to his Oxford
career and often expressed a certain regret at having
to leave
Ireland. Throughout his life, he sought out the company of
his fellow Irish
living in England and visited Ireland regularly. He called
this “my
Irish life”.
Early
in his career, Lewis considered sending his work to the major
Dublin publishers. In a letter to a friend he wrote, "If I do
ever send my stuff to a publisher, I think I shall try Maunsel, those
Dublin people, and so tack myself definitely onto the Irish school." After
his conversion to Christianity, his interests gravitated towards
Christian spirituality and away from Celtic mysticism. Career as a scholar
Lewis taught as a fellow of Magdalen College, Oxford, for nearly
thirty years, from 1925 to 1954, and later was the first Professor
of Medieval and Renaissance Literature at the University of Cambridge
and a fellow of Magdalene College, Cambridge. Using this position,
he argued that there was no such thing as an English Renaissance.
Much of his scholarly work concentrated on the later Middle Ages,
especially its use of allegory. His The Allegory of Love (1936)
helped reinvigorate the serious study of late medieval narratives
like the Roman de la Rose. Lewis wrote a preface to John Milton's
poem Paradise Lost, which is still one of the most important criticisms
of that work. His last academic work, The Discarded Image, an Introduction
to Medieval and Renaissance Literature (1964), is a summary of
the medieval world view, the "discarded image" of the
cosmos in his title.
Lewis
was a prolific writer and a member of the literary
discussion society The Inklings with his friends J.
R. R. Tolkien, Charles Williams,
and Owen Barfield. Career as a writer of fiction
In addition to his scholarly work, Lewis wrote a number of popular
novels, including his science-fiction "Space Trilogy," his
fantasy Narnia books, and various other novels, most containing
allegories on Christian themes such as sin, the Fall, and redemption.
For more information about those works, see their individual Wikipedia
articles.
The
Pilgrim's Regress. His first novel after becoming a Christian
was The Pilgrim's Regress, his take on John Bunyan's The Pilgrim's
Progress which depicted his own experience with Christianity. The
book was panned at the time. Most people had not had Lewis's experience
and couldn't relate.
Space
Trilogy. His "Space Trilogy" or "Ransom Trilogy" novels
dealt with what Lewis saw as the then-current dehumanizing trends
in modern science fiction. The first book, Out of the Silent Planet,
was apparently written following a conversation with his friend J.
R. R. Tolkien about these trends. Lewis agreed to write a "space
travel" story and Tolkien a "time travel" one. Tolkien's
story, The Lost Road, a tale connecting his Middle-earth mythology
and the modern world, was never completed. Lewis's character of Ransom
is generally agreed to be based, in part, on Tolkien. The minor character "Jules," from
That Hideous Strength, is an obvious caricature of H. G. Wells.
Many of the ideas presented in the books, particularly in That
Hideous
Strength, are dramatizations of arguments made more formally
in Lewis's The Abolition of Man.
Works
on heaven and hell. The Great Divorce is a short novel about
imagined conversations in the foothills of Heaven between
the saved
and the potentially damned. The title is a reference to William
Blake's The Marriage of Heaven and Hell. This work deliberately
echoes two
other more famous works with a similar theme: the Divine Comedy
of Dante Aligheri, and John Bunyan's Pilgrim's Progress. Another
short
novel, The Screwtape Letters, consists of letters of advice
from an elderly demon to his nephew. In the letters, Screwtape,
the
elder demon, instructs his nephew, Wormwood, on the best ways
to tempt
a particular human and secure his damnation.
The
Chronicles of Narnia. This is a series of seven fantasy novels
for children that is by far the most popular of Lewis's
works.
The books have Christian themes and describe the adventures
of a group
of children who visit a magical land called Narnia. The Lion,
the Witch, and the Wardrobe, which was the first published
and the
most popular book of the series, has been adapted for both
stage and screen.
The Chronicles of Narnia borrow from Greek and Roman mythology
as well as traditional English and Irish fairy tales. Lewis
reportedly based his depiction of Narnia in the novels on
the geography
and scenery of the Mourne Mountains in County Down, Northern
Ireland.
Lewis cited MacDonald as an influence in writing the series.
The books were published in an order different from that
they take
place
in. In chronological order, the seven books are: The Magician's
Nephew, The Lion, the Witch and the Wardrobe, The Horse and
His Boy, Prince
Caspian, The Voyage of the Dawn Treader, The Silver Chair,
and The Last Battle. Many people feel that the books should
be read
in order
of publication. Lewis himself was not particular.
Non-Christian
works. Lewis's last novel was Till We Have Faces. Many believe
(as he did) that it is his most mature
and masterful
work
of fiction, but it was never a popular success. It is a
retelling of the myth of Cupid and Psyche from the unusual
perspective
of Psyche's sister. It is deeply concerned with religious
ideas, but
the setting
is entirely pagan, and the connections with specific Christian
beliefs are left implicit.
Before
Lewis's conversion to Christianity, he published two books:
Spirits in Bondage, a collection of poems, and
Dymer,
a single
narrative poem. Both were published under the pen name
of "Clive Hamilton". Career as a writer on Christianity
In addition to his career as an English professor and an author of
novels, Lewis also wrote a number of books about Christianity — perhaps
most famously, Mere Christianity, which is considered a classic
work in the area of Christian apologetics. After some years as
an atheist, he converted to Christianity and joined the Church
of England. Although he became an Anglican, he stated that he was
influenced by his Roman Catholic friend Tolkien. He was very much
interested in presenting a reasonable case for the truth of Christianity.
Mere Christianity, The Problem of Pain, and Miracles were all concerned,
to one degree or another, with refuting popular objections to Christianity.
He
has become popularly known as The Apostle to the
Sceptics because he originally approached religious
belief as a sceptic, and he was
converted by the evidence. Consequently, his books on Christianity
examine common difficulties in accepting Christianity, such as "How
could a good God allow pain to exist in the world?", which
he examined in detail in The Problem of Pain.
Lewis
also wrote an autobiography entitled Surprised by
Joy, which describes his conversion. (It was written
before he met his wife,
Joy Gresham.) His essays and public speeches on Christian belief,
many of which were collected in God in the Dock and The Weight
of Glory and Other Addresses, remain popular today for their
insights into faith.
His
most famous works, the Chronicles of Narnia, contain
many strong Christian messages. These are often mistaken
for allegory,
but,
as Lewis himself said, are certainly not allegory. Lewis is
said to
have stated that he wrote the novels when he wondered what
it would be like if Jesus Christ was incarnated on
another world
or planet
to save the souls of those inhabitants. Trilemma
The term "trilemma" actually comes from Christian apologist
Josh McDowell, who based it on one of Lewis's best-known arguments
in favor of Christianity from his book Mere Christianity.
According
to the argument, most people are willing to accept Jesus
Christ as a great moral teacher, but the Gospels record that Jesus
made many claims to divinity, either explicitly ("I and the
father are one." — John 10:30*) or implicitly, by assuming
authority only God could have ("…the Son of Man has authority
on earth to forgive sins…" — Matthew 9:6*). Assuming
that the Gospels are accurate, Lewis said there are three options:
.
Jesus was telling falsehoods and knew it, and so he was
a liar.
. Jesus was telling falsehoods but believed he was telling
the truth, and so he was insane.
. Jesus was telling the truth, and so he was divine.
Thus, Lewis maintained that one cannot argue Jesus was merely
a great moral teacher because his moral teachings would be invalidated
by virtue of either
his lying or his insanity. On the other hand, if he was divine, he must
clearly be more than merely a great moral teacher.
* Quotes are from the New International Version of the Bible. Portrayals of Lewis' life
Recently there has been some interest in biographical material concerning
Lewis. This has resulted in several biographies (including books
written by close friends of Lewis, among them Roger Lancelyn Green
and George Sayer), at least one play about his life, and a 1993
movie, titled Shadowlands, based on an original stage and television
play. The movie fictionalizes his relationship with an American
writer, Joy Gresham, whom he met and married in London, only to
watch her die slowly from bone cancer. Lewis's book A Grief Observed
describes his experience of bereavement in such a raw and personal
fashion that Lewis originally released it under the pseudonym "N.
W. Clerk" to keep readers from associating the book with him
(ultimately too many friends recommended the book to Lewis as a
method for dealing with his own grief, and he made his authorship
public).
Lewis's death and legacy
Lewis died on November 22, 1963, at the Oxford home he shared with
his brother, Warren. He is buried in the Headington Quarry Churchyard,
Oxford, England. Media coverage of his death was overshadowed by
news of the assassination of President John F. Kennedy, which occurred
on the same day, as did the death of author Aldous Huxley. (This
coincidence was the inspiration for Peter Kreeft’s book Between
Heaven and Hell: A Dialog Somewhere Beyond Death with John F. Kennedy,
C. S. Lewis & Aldous Huxley. In this philosophical work, the
three men meet in a limbo before the afterlife, and debate the
divinity of Jesus Christ, contrasting the differences in their
personalities and world views — humanism, Christianity, and
pantheism.)
A bronze
statue of Lewis looking into a wardrobe stands in Belfast's Holywood
Arches.
Many
books have been inspired by Lewis, including A Severe Mercy by
his correspondent Sheldon Vanauken. The Chronicles Of Narnia
has been particularly influential. Modern children's authors
like Daniel
Handler (A Series of Unfortunate Events) and Eoin Colfer (Artemis
Fowl) have been influenced more or less by Lewis's series. JK
Rowling has said that the name of Cedrick Diggory (a character
in Harry
Potter and the Goblet of Fire) is an homage to Digory Kirk (a
character in Lewis's Narnia books, most especially The Magician's
Nephew).
Authors of adult fantasy literature such as Tim Powers have also
testified to being influenced by Lewis's work.
Most
of Lewis's posthumous work has been edited by his literary executor,
Walter Hooper. An independent Lewis scholar, the late
Kathryn Lindskoog,
argued in several books that Hooper's scholarship is not reliable
and that he has made false statements and attributed forged
works to Lewis. (See The Dark Tower.) Scholars in the field of
Lewis
studies are divided over whether these charges have been settled
at all,
and if so in whose favor. Bibliography
Nonfiction
. The Allegory of Love: A Study in Medieval Tradition (1936)
. Rehabilitations and other essays (1939) — with two essays not included
in Essay Collection (2000)
. The Personal Heresy: A Controversy (with E. M. W. Tillyard, 1939)
. The Problem of Pain (1940])
. A Preface to Paradise Lost (1942)
. The Abolition of Man (1943)
. Miracles: A Preliminary Study (1947, revised 1960)
. Arthurian Torso (1948; on Charles Willliams' poetry)
. Mere Christianity (1952; based on radio talks of 1941-1944)
. English Literature in the Sixteenth Century Excluding Drama (1954)
. Surprised by Joy: The Shape of My Early Life (1955; autobiography)
. Reflections on the Psalms (1958)
. The Four Loves (1960)
. Studies in Words (1960)
. An Experiment in Criticism (1961)
. A Grief Observed (1961; first published under the pseudonym "N. W. Clerk")
. The Discarded Image: An Introduction to Medieval and Renaissance Literature
(1964)
. God in the Dock: Essays on Theology and Ethics (1970), = Undeceptions (1971) — all
included in Essay Collection (2000)
. Studies in Medieval and Renaissance Literature (1966) — not included
in Essay Collection (2000)
. Spenser's Images of Life (ed. Alastair Fowler, 1967)
. Letters to an American Lady (1967)
. Selected Literary Essays (1969) — not included in Essay Collection
(2000)
. Of Other Worlds (1982; essays) — with one essay not included in Essay
Collection
. All My Road Before Me: The Diary of C. S. Lewis 1922–27 (1993)
. Essay Collection: Literature, Philosophy and Short Stories (2000)
. Essay Collection: Faith, Christianity and the Church (2000)
. Collected Letters, Vol. I: Family Letters 1905-1931 (2000)
Fiction
. The Pilgrim's Regress (1933)
. Space Trilogy
. Out of the Silent Planet (1938)
. Perelandra (1943)
. That Hideous Strength (1946)
. The Screwtape Letters (1942)
. The Great Divorce (1945)
. The Chronicles of Narnia
. The Lion, the Witch and the Wardrobe (1950)
. Prince Caspian (1951)
. The Voyage of the Dawn Treader (1952)
. The Silver Chair (1953)
. The Horse and His Boy (1954)
. The Magician's Nephew (1955)
. The Last Battle (1956)
. Till We Have Faces (1956)
. Letters to Malcolm: Chiefly on Prayer (1963)
. The Dark Tower and other stories (1977)
. Boxen: The Imaginary World of the Young C. S. Lewis (ed. Walter Hooper, 1985)
Poetry
. Spirits in Bondage (1919)
. Dymer (1926)
. Narrative Poems (ed. Walter Hooper, 1969; includes Dymer)
. The Collected Poems of C. S. Lewis (ed. Walter Hooper, 1994; includes Spirits
in Bondage)
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