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          Clive
              Staples Lewis (November 29, 1898 – November 22, 1963),
            commonly referred to as C. S. Lewis, was an Irish author and scholar,
            born into a Protestant family in Belfast, though mostly resident
            in England. Lewis is known for his work on medieval literature and
            for his Christian apologetics and fiction, especially the children's
            series entitled The Chronicles of Narnia. 
           Early life 
            Clive Staples Lewis was born in Belfast, Ireland (now Northern Ireland),
              to Albert James Lewis and Flora Augusta Hamilton Lewis. He had
              a brother, Warren Hamilton Lewis (Warnie), three years his elder.
              He adopted the name "Jack" as a boy, simply because he
              liked the sound of it. From that point on, he was known by this
              nickname by close friends and family. Lewis' mother died in 1908,
              and he was sent to a number of different schools in England. Around
              1913 he abandoned his childhood Christian faith. In 1929, he became
              a theist: "In the Trinity Term of 1929 I gave in, and admitted
              that God was God, and knelt and prayed…" Encouraged
            by T. S. Eliot and J. R. R. Tolkien, in 1931 he returned to Christianity. 
           Lewis
              had a passion for "dressed animals" as a boy, falling
              in love with Beatrix Potter's stories and often writing and illustrating
              his own animal stories. He and his brother, Warnie, together created
              the world of Boxen, which was inhabited and run by animals. Lewis
              loved to read, and as his father's house was filled with books,
              he felt that finding a book he hadn't read was as easy as finding
              a
              blade of grass. He also had a mortal fear of spiders and insects
              as a child, so they often haunted his dreams. 
           As
              a teenager, he was wonderstruck by Richard Wagner and the songs
                and legends of the North. They intensified a longing he had within
                him, a deep desire he would later call "joy." He also grew
                to love nature—the beautiful scenes in nature reminded
                him of the stories of the North, and the stories of the North
                reminded
                him of the beauties of nature. In his teenage years, his writing
                moved away from the tales of Boxen, and he began to use different
                art forms (poetry and opera) to try and capture his newfound
                interest in Norse mythology and in the natural world. 
           In
              1916 Lewis won a scholarship to University College, Oxford while
              World War I was raging. Because he was Irish, Lewis was
                  exempted
                  from the draft, but against his father's wishes he enlisted
              in the British Army in 1917. He was commissioned as an officer
              in
                  the third
                  Battalion, Somerset Light Infantry. Lewis arrived at the front
                  line in the Somme Valley in France on his nineteenth birthday,
                  where he
                  met his fellow Irishman, Paddy Moore. 
           Lewis
              and Moore agreed that if either of them was killed, the other would
              take care of his family. Moore was killed in action
                    and Lewis
                    kept his promise. After the war, Lewis sought out Paddy's
              mother, who lived with him until the end of her life. Many scholars
                    believe that she is the basis of the characters of "the Patient's mother" in
                    the Screwtape Letters and Mrs. Macready in the Narnia books. 
           Lewis
              was wounded during the Battle of Arras, and suffered some depression,
              due in part to missing his Irish home. On
                      his recovery,
                      he was assigned
                      duty in England. He was discharged in December 1918, and
                      returned to his studies. He received a First in Honour
              Moderations (Greek
                      and Latin Literature) in 1920, a First in Greats (Philosophy
                      and Ancient History) in 1922, and a First in English in
              1923.           "My
              Irish Life" 
                            Lewis experienced a certain cultural shock when living in England. “No
            Englishman will be able to understand my first impressions of England,” Lewis
            wrote in Surprised by Joy. “The strange English accents with
            which I was surrounded seemed like the voices of demons. But what
            was worst was the English landscape… I have made up the quarrel
            since; but at that moment I conceived a hatred for England which
            took many years to heal.” 
               From
                  his youth, Lewis had immersed himself in Irish mythology and
              literature and expressed an interest in the Irish language. He
                  later developed a particular fondness for W. B. Yeats, in part
                  because
              of Yeats’s use of Ireland’s Celtic heritage in poetry.
              In a letter to a friend Lewis wrote, "I have here discovered
              an author exactly after my own heart, whom I am sure you would delight
              in, W. B. Yeats. He writes plays and poems of rare spirit and beauty
              about our old Irish mythology." 
               He
                  was surprised to find his English peers indifferent to Yeats
                and the Celtic Twilight movement. In describing his time at Oxford
                he
                wrote, “I am often surprised to find how utterly ignored Yeats
                is among the men I have met: perhaps his appeal is purely Irish — if
                so, then thank the gods that I am Irish.” 
               Perhaps
                  to help cope with his environment, Lewis even expressed a somewhat
                  tongue in cheek chauvinism toward the English. Describing
                  an encounter with a fellow Irishman he wrote, “Like all Irish
                  people who meet in England we ended by criticisms of the inevitable
                  flippancy and dullness of the Anglo-Saxon race. After all, ami, there
                  is no doubt that the Irish are the only people… I would not
                  gladly live or die among another folk.” 
               Lewis
                  did indeed live and die among another folk, due to his Oxford
                  career and often expressed a certain regret at having
                    to leave
                    Ireland. Throughout his life, he sought out the company of
                    his fellow Irish
                    living in England and visited Ireland regularly. He called
                    this “my
                    Irish life”. 
               Early
                  in his career, Lewis considered sending his work to the major
                  Dublin publishers. In a letter to a friend he wrote, "If I do
                      ever send my stuff to a publisher, I think I shall try Maunsel, those
                      Dublin people, and so tack myself definitely onto the Irish school." After
                      his conversion to Christianity, his interests gravitated towards
                      Christian spirituality and away from Celtic mysticism.             Career as a scholar 
                         Lewis taught as a fellow of Magdalen College, Oxford, for nearly
              thirty years, from 1925 to 1954, and later was the first Professor
              of Medieval and Renaissance Literature at the University of Cambridge
              and a fellow of Magdalene College, Cambridge. Using this position,
              he argued that there was no such thing as an English Renaissance.
              Much of his scholarly work concentrated on the later Middle Ages,
              especially its use of allegory. His The Allegory of Love (1936)
              helped reinvigorate the serious study of late medieval narratives
              like the Roman de la Rose. Lewis wrote a preface to John Milton's
              poem Paradise Lost, which is still one of the most important criticisms
              of that work. His last academic work, The Discarded Image, an Introduction
              to Medieval and Renaissance Literature (1964), is a summary of
              the medieval world view, the "discarded image" of the
              cosmos in his title. 
                       Lewis
                          was a prolific writer and a member of the literary
                          discussion society The Inklings with his friends J.
                          R. R. Tolkien, Charles Williams,
              and Owen Barfield.             Career as a writer of fiction 
                In addition to his scholarly work, Lewis wrote a number of popular
              novels, including his science-fiction "Space Trilogy," his
              fantasy Narnia books, and various other novels, most containing
              allegories on Christian themes such as sin, the Fall, and redemption.
              For more information about those works, see their individual Wikipedia
              articles. 
               The
                  Pilgrim's Regress. His first novel after becoming a Christian
              was The Pilgrim's Regress, his take on John Bunyan's The Pilgrim's
              Progress which depicted his own experience with Christianity. The
              book was panned at the time. Most people had not had Lewis's experience
              and couldn't relate. 
               Space
                  Trilogy. His "Space Trilogy" or "Ransom Trilogy" novels
                dealt with what Lewis saw as the then-current dehumanizing trends
                in modern science fiction. The first book, Out of the Silent Planet,
                was apparently written following a conversation with his friend J.
                R. R. Tolkien about these trends. Lewis agreed to write a "space
                travel" story and Tolkien a "time travel" one. Tolkien's
                story, The Lost Road, a tale connecting his Middle-earth mythology
                and the modern world, was never completed. Lewis's character of Ransom
                is generally agreed to be based, in part, on Tolkien. The minor character "Jules," from
                That Hideous Strength, is an obvious caricature of H. G. Wells.
                Many of the ideas presented in the books, particularly in That
                Hideous
                Strength, are dramatizations of arguments made more formally
                in Lewis's The Abolition of Man. 
               Works
                  on heaven and hell. The Great Divorce is a short novel about
                  imagined conversations in the foothills of Heaven between
                  the saved
                  and the potentially damned. The title is a reference to William
                  Blake's The Marriage of Heaven and Hell. This work deliberately
                  echoes two
                  other more famous works with a similar theme: the Divine Comedy
                  of Dante Aligheri, and John Bunyan's Pilgrim's Progress. Another
                  short
                  novel, The Screwtape Letters, consists of letters of advice
                  from an elderly demon to his nephew. In the letters, Screwtape,
                  the
                  elder demon, instructs his nephew, Wormwood, on the best ways
                  to tempt
                  a particular human and secure his damnation. 
                The
                  Chronicles of Narnia. This is a series of seven fantasy novels
                  for children that is by far the most popular of Lewis's
                    works.
                    The books have Christian themes and describe the adventures
                    of a group
                    of children who visit a magical land called Narnia. The Lion,
                    the Witch, and the Wardrobe, which was the first published
                    and the
                    most popular book of the series, has been adapted for both
                    stage and screen.
                    The Chronicles of Narnia borrow from Greek and Roman mythology
                    as well as traditional English and Irish fairy tales. Lewis
                    reportedly based his depiction of Narnia in the novels on
                  the geography
                    and scenery of the Mourne Mountains in County Down, Northern
                    Ireland.
                    Lewis cited MacDonald as an influence in writing the series.
                    The books were published in an order different from that
                  they take
                    place
                    in. In chronological order, the seven books are: The Magician's
                    Nephew, The Lion, the Witch and the Wardrobe, The Horse and
                    His Boy, Prince
                    Caspian, The Voyage of the Dawn Treader, The Silver Chair,
                    and The Last Battle. Many people feel that the books should
                    be read
                    in order
                    of publication. Lewis himself was not particular. 
               Non-Christian
                  works. Lewis's last novel was Till We Have Faces. Many believe
                  (as he did) that it is his most mature
                      and masterful
                      work
                      of fiction, but it was never a popular success. It is a
                  retelling of the myth of Cupid and Psyche from the unusual
                  perspective
                      of Psyche's sister. It is deeply concerned with religious
                      ideas, but
                      the setting
                      is entirely pagan, and the connections with specific Christian
                      beliefs are left implicit. 
               Before
                  Lewis's conversion to Christianity, he published two books:
                  Spirits in Bondage, a collection of poems, and
                        Dymer,
                        a single
                        narrative poem. Both were published under the pen name
                        of "Clive Hamilton".             Career as a writer on Christianity 
                          In addition to his career as an English professor and an author of
              novels, Lewis also wrote a number of books about Christianity — perhaps
              most famously, Mere Christianity, which is considered a classic
              work in the area of Christian apologetics. After some years as
              an atheist, he converted to Christianity and joined the Church
              of England. Although he became an Anglican, he stated that he was
              influenced by his Roman Catholic friend Tolkien. He was very much
              interested in presenting a reasonable case for the truth of Christianity.
              Mere Christianity, The Problem of Pain, and Miracles were all concerned,
              to one degree or another, with refuting popular objections to Christianity. 
                         He
                            has become popularly known as The Apostle to the
                            Sceptics because he originally approached religious
                            belief as a sceptic, and he was
              converted by the evidence. Consequently, his books on Christianity
              examine common difficulties in accepting Christianity, such as "How
              could a good God allow pain to exist in the world?", which
              he examined in detail in The Problem of Pain. 
                         Lewis
                            also wrote an autobiography entitled Surprised by
                            Joy, which describes his conversion. (It was written
                            before he met his wife,
                Joy Gresham.) His essays and public speeches on Christian belief,
                many of which were collected in God in the Dock and The Weight
                of Glory and Other Addresses, remain popular today for their
                insights into faith. 
                         His
                            most famous works, the Chronicles of Narnia, contain
                            many strong Christian messages. These are often mistaken
                            for allegory,
                  but,
                  as Lewis himself said, are certainly not allegory. Lewis is
                            said to
                  have stated that he wrote the novels when he wondered what
                            it would be like if Jesus Christ was incarnated on
                            another world
                  or planet
                  to save the souls of those inhabitants.                         Trilemma 
                              The term "trilemma" actually comes from Christian apologist
            Josh McDowell, who based it on one of Lewis's best-known arguments
            in favor of Christianity from his book Mere Christianity. 
                   According
                      to the argument, most people are willing to accept Jesus
              Christ as a great moral teacher, but the Gospels record that Jesus
              made many claims to divinity, either explicitly ("I and the
              father are one." — John 10:30*) or implicitly, by assuming
              authority only God could have ("…the Son of Man has authority
              on earth to forgive sins…" — Matthew 9:6*). Assuming
            that the Gospels are accurate, Lewis said there are three options: 
                   .
                      Jesus was telling falsehoods and knew it, and so he was
                      a liar. 
                  . Jesus was telling falsehoods but believed he was telling
                        the truth, and so he was insane. 
            .	Jesus was telling the truth, and so he was divine. 
                                    Thus, Lewis maintained that one cannot argue Jesus was merely
                    a great moral teacher because his moral teachings would be invalidated
                    by virtue of either
          his lying or his insanity. On the other hand, if he was divine, he must
            clearly be more than merely a great moral teacher. 
                              * Quotes are from the New International Version of the Bible.             Portrayals of Lewis' life 
                    Recently there has been some interest in biographical material concerning
              Lewis. This has resulted in several biographies (including books
              written by close friends of Lewis, among them Roger Lancelyn Green
              and George Sayer), at least one play about his life, and a 1993
              movie, titled Shadowlands, based on an original stage and television
              play. The movie fictionalizes his relationship with an American
              writer, Joy Gresham, whom he met and married in London, only to
              watch her die slowly from bone cancer. Lewis's book A Grief Observed
              describes his experience of bereavement in such a raw and personal
              fashion that Lewis originally released it under the pseudonym "N.
              W. Clerk" to keep readers from associating the book with him
              (ultimately too many friends recommended the book to Lewis as a
              method for dealing with his own grief, and he made his authorship
              public). 
           Lewis's death and legacy 
            Lewis died on November 22, 1963, at the Oxford home he shared with
              his brother, Warren. He is buried in the Headington Quarry Churchyard,
              Oxford, England. Media coverage of his death was overshadowed by
              news of the assassination of President John F. Kennedy, which occurred
              on the same day, as did the death of author Aldous Huxley. (This
              coincidence was the inspiration for Peter Kreeft’s book Between
              Heaven and Hell: A Dialog Somewhere Beyond Death with John F. Kennedy,
              C. S. Lewis & Aldous Huxley. In this philosophical work, the
              three men meet in a limbo before the afterlife, and debate the
              divinity of Jesus Christ, contrasting the differences in their
              personalities and world views — humanism, Christianity, and
            pantheism.) 
           A bronze
              statue of Lewis looking into a wardrobe stands in Belfast's Holywood
              Arches. 
           Many
              books have been inspired by Lewis, including A Severe Mercy by
              his correspondent Sheldon Vanauken. The Chronicles Of Narnia
                has been particularly influential. Modern children's authors
              like Daniel
                Handler (A Series of Unfortunate Events) and Eoin Colfer (Artemis
                Fowl) have been influenced more or less by Lewis's series. JK
              Rowling has said that the name of Cedrick Diggory (a character
              in Harry
                Potter and the Goblet of Fire) is an homage to Digory Kirk (a
              character in Lewis's Narnia books, most especially The Magician's
              Nephew).
                Authors of adult fantasy literature such as Tim Powers have also
                testified to being influenced by Lewis's work. 
           Most
              of Lewis's posthumous work has been edited by his literary executor,
              Walter Hooper. An independent Lewis scholar, the late
                  Kathryn Lindskoog,
                  argued in several books that Hooper's scholarship is not reliable
                  and that he has made false statements and attributed forged
              works to Lewis. (See The Dark Tower.) Scholars in the field of
              Lewis
                  studies are divided over whether these charges have been settled
                  at all,
                  and if so in whose favor.           Bibliography 
          Nonfiction 
  .	The Allegory of Love: A Study in Medieval Tradition (1936) 
  .	Rehabilitations and other essays (1939) — with two essays not included
  in Essay Collection (2000) 
  .	The Personal Heresy: A Controversy (with E. M. W. Tillyard, 1939) 
  .	The Problem of Pain (1940]) 
  .	A Preface to Paradise Lost (1942) 
  .	The Abolition of Man (1943) 
  .	Miracles: A Preliminary Study (1947, revised 1960) 
  .	Arthurian Torso (1948; on Charles Willliams' poetry) 
  .	Mere Christianity (1952; based on radio talks of 1941-1944) 
  .	English Literature in the Sixteenth Century Excluding Drama (1954) 
  .	Surprised by Joy: The Shape of My Early Life (1955; autobiography) 
  .	Reflections on the Psalms (1958) 
  .	The Four Loves (1960) 
  .	Studies in Words (1960) 
  .	An Experiment in Criticism (1961) 
  .	A Grief Observed (1961; first published under the pseudonym "N. W. Clerk") 
  . The Discarded Image: An Introduction to Medieval and Renaissance Literature
  (1964) 
  .	God in the Dock: Essays on Theology and Ethics (1970), = Undeceptions (1971) — all
  included in Essay Collection (2000) 
  .	Studies in Medieval and Renaissance Literature (1966) — not included
  in Essay Collection (2000) 
  .	Spenser's Images of Life (ed. Alastair Fowler, 1967) 
  .	Letters to an American Lady (1967) 
  .	Selected Literary Essays (1969) — not included in Essay Collection
  (2000) 
  .	Of Other Worlds (1982; essays) — with one essay not included in Essay
  Collection 
  .	All My Road Before Me: The Diary of C. S. Lewis 1922–27 (1993) 
  .	Essay Collection: Literature, Philosophy and Short Stories (2000) 
  .	Essay Collection: Faith, Christianity and the Church (2000) 
  .	Collected Letters, Vol. I: Family Letters 1905-1931 (2000) 
          Fiction 
  .	The Pilgrim's Regress (1933) 
  .	Space Trilogy 
  .	Out of the Silent Planet (1938) 
  .	Perelandra (1943) 
  .	That Hideous Strength (1946) 
  .	The Screwtape Letters (1942) 
  .	The Great Divorce (1945) 
  .	The Chronicles of Narnia 
  .	The Lion, the Witch and the Wardrobe (1950) 
  .	Prince Caspian (1951) 
  .	The Voyage of the Dawn Treader (1952) 
  .	The Silver Chair (1953) 
  .	The Horse and His Boy (1954) 
  .	The Magician's Nephew (1955) 
  .	The Last Battle (1956) 
  .	Till We Have Faces (1956) 
  .	Letters to Malcolm: Chiefly on Prayer (1963) 
  .	The Dark Tower and other stories (1977) 
  .	Boxen: The Imaginary World of the Young C. S. Lewis (ed. Walter Hooper, 1985) 
           
            Poetry 
  .	Spirits in Bondage (1919) 
  .	Dymer (1926) 
  .	Narrative Poems (ed. Walter Hooper, 1969; includes Dymer) 
  . The Collected Poems of C. S. Lewis (ed. Walter Hooper, 1994; includes Spirits
  in Bondage) 
          
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